슈베르트 : 피아노 트리오 Op.99 & 100 (2CD)
피아노 트리오 1번 Op.99. D.898 / 노투르노 Op.148, D.897 / 피아노 트리오 2번 Op.100, D.929
연주: 안드레아스 슈타이어(포르테피아노), 다니엘 제페크(바이올린), 로엘 딜티엔스(첼로)
앞서 슈베르트 즉흥곡과 소나타(HMC902021) 음반으로 호평 받은 안드레아스 슈타이어, 고악기로 풍부한 표현과 다양함으로 매력적인 바로크 음악을 들려주는 다니엘 제페크 그리고 현대 악기와 고악기를 오가며 기존의 관습에 얽매이지 않는 강렬한 개성적인 연주자 로엘 딜티엔스가 슈베르트 피아노 트리오를 레코딩했다. Christopher Clarke의 1996년 작품으로 Conrad Graf, Vienna, 1827년 모델을 복원한 알름다운 포르테피아노를 포함하여 연주자들의 시대 악기는 한없이 매력적인 세 작품의 모든 뉘앙스를 끌어내고 있다. 스웨덴 민요 멜로디를 사용하고 있는 Op.100의 우수에 찬 비장한 멜로디 2악장 Andante con moto는 영화 '피아니스트', '배리 리든', '해피 엔드' 등에 수록되어 널리 알려졌다.
*디아파종 황금상, 프랑스 뮈지크 쇼크
Piano Trio No. 1 in B flat major, D898
Piano Trio No. 2 in E flat major, D929
Notturno in E flat major for piano trio, D897 (Op. post.148)
Andreas Staier (fortepiano Christopher Clarke (1996) after Conrad Graf, Vienna 1827), Daniel Sepec (violin Lorenzo Storioni, Cremona 1780) & Roel Dieltiens (cello Marten Cornelissen (1992) after Stradivarius)
The Guardian 2nd October 2016 ****
“The period instruments here, led by a crystal-clear copy of an 1827 Graf piano with a pinging staccato, thin out the music and lend it a brittle, sharp attack. The funeral march of the E flat Trio Op 100 is especially striking.”
Sunday Times 23rd October 2016
“Staier and his fortepiano (a modern copy of a Conrad Graf instrument) gave me continual pleasure...The performances are full of fine touches, and in the E flat trio’s andante, the players bring out the music’s eerie strangeness marvellously.”
Record Review 22nd October 2016
“the copy of a Conrad Graff piano from Vienna 1827 brings a new balance with the strings, biting attack and a silvery clarity … the recording…gives a lovely, fresh bloom to the sound, and these performances lack neither scale nor passion. I found them deeply satisfying musically … beautifully done.”
Financial Times 21st October 2016
“Staier’s fortepiano (a Christopher Clarke instrument of 1996 after an 1827 Viennese original) is a joy, bringing lightness and a quickness of touch everywhere. These are poetic performances lit by shimmering beauties. Schubert’s one-movement Notturno, D897, is the obvious and sublime filler.”
The Arts Desk 22nd October 2016
“They receive superb period-instrument performances on this pair of discs. Sensible listeners will be grinning at Daniel Sepec’s unfussy delivery of the B flat trio’s opening theme, and purring with pleasure when Andreas Staier repeats it a minute or so later...The balance throughout is impeccable, the fortepiano never overpowering the solo strings.”
Irish Times 3rd November 2016 ****
“One of the joys of these new period instruments performances is the way the three instruments can both blend and stand out from one another, and the filigree of Andreas Staier’s fortepiano is a wonder in itself. The sound world may be a little leaner and more austere than usual, but the players accommodate it beautifully to the music’s geniality and melancholy, as well as its climactic rushes.”
MusicWeb International 2nd November 2016
“The new recording on period instruments adds an extra dimension which makes me inclined now to rate it as my top choice…Staier plays on a modern copy of an 1827 Graf fortepiano and once again it’s the choice of instrument that proves very winning… The playing throughout is crystal clear and the recording captures that clarity superbly.”
Gramophone Magazine November 2016
“Add to that their first-class playing ? not only their technical mastery in these stamina-sapping scores but also their cheeky ornamentation and deadpan comic timing ? and you have a recording of the trios that’s worth returning to again and again.”
Classical Ear 26th October 2016
“The traditional view of Schubert’s two piano trios tends towards ebullience (Op 99) as opposed to austerity (Op 100). Fortepianist Andreas Staier and friends forge a gleaming bridge that brings them closer together, the B flat buoyant and flexible, the E flat somewhat more animated than usual … Exceptional in every respect.”
(0)
최근작 :